Ebook Flash of the Spirit: African & Afro-American Art & Philosophy: African and Afro-American Art and Philosophy, by Robert Farris Thompson
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Flash of the Spirit: African & Afro-American Art & Philosophy: African and Afro-American Art and Philosophy, by Robert Farris Thompson
Ebook Flash of the Spirit: African & Afro-American Art & Philosophy: African and Afro-American Art and Philosophy, by Robert Farris Thompson
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Pressestimmen
"Robert Farris Thompson is the art historian of Africa who has turned his talents to Afro-America and sketched the course that creative new work is likely to follow." -- Eugene GenoveseThis landmark book shows how five African civilizations -- Yoruba, Kongo, Ejagham, Mande and Cross River -- have informed and are reflected in the aesthetic, social and metaphysical traditions (music, sculpture, textiles, architecture, religion, idiogrammatic writing) of black people in the United States, Cuba, Haiti, Trinidad, Mexico, Brazil and other places in the New World."A wonderfully enthusiastic book...Mr. Thompson is a professor of art history, but he takes his subject in the round, not in any specialized or compartmentalized manner. He is part anthropologist, part art critic, part musicologist, part student of religion and philosophy, and entirely an enthusiastic partisan of what he writes about."-- The New York Times Book Review"Centuries of racist assumptions go packing it in Flash of the Spirit." -- The Village Voice"This is art history to dance by." -- The Philadelphia Inquirer
Synopsis
A renowned art historian discusses the impact of the Yoruba, Kongo, Dahomey, Cross River, and Mande African cultures on the art and religious and philosophical beliefs of people of African ancestry in the New World.
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 336 Seiten
Verlag: Vintage; Auflage: 1st Vintage Books ed (12. August 1984)
Sprache: Englisch
ISBN-10: 0394723694
ISBN-13: 978-0394723693
Größe und/oder Gewicht:
13,2 x 1,7 x 20,3 cm
Durchschnittliche Kundenbewertung:
4.0 von 5 Sternen
1 Kundenrezension
Amazon Bestseller-Rang:
Nr. 170.170 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
I enjoyed this book when I first read it as much for the kinds of bridges it seemed to make as for his own writing style and subject matter. R.F. Thompson, who I had the pleasure of meeting once in the Metropolitan Museum of Art in New York, is someone who along with being highly knowledgeable cares a great deal for the subject. Where the book could be considered lacking I would say is it's way of seeming dated. It bares some cultural prejudice which, considering the cultural remoteness of the subject matter when compared to the intellectual/cultural arena of the writer(African and African-American, Afro-Cuban/Hispanic culture vs. Post-World War II Ivy League) - and how well he did anyway- is forgiveable, but present nonetheless. If you are expecting some pretty powerful things to be said about Coltrane, or the early days of Rap music and Hip-hop dance (now in its third decade of existence already), or Modigliani, or other things that are in the forefront of the present culture's mind, to a certain degree you will be disappointed. However, if you had no idea other than the Alex Haley "Roots" era rhetoricals about the derivation of many African-American and Hispanic/Hispanic-American cultural paradigms, this will enlighten you in ways that will have you going to the bookstore to see what else he and many others have written on the subjects. I recommend it- particularly for lovers of European modern art, studies of religion, and other things influenced by the Mother country.
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